While primarily geometric, Josef Pillhofer’s sculptures nonetheless suggest a human scale, expressing both discipline and tension. The prostrate pose of Reclining Man evokes a completely relaxed figure with one knee pulled up for stability, seemingly daydreaming or contemplating the sky. Head, torso, and extended leg comprise one continuous, elongated, hard-edged form. Horizontal and diagonal accents recalling the shifting facets of Cubist painting offer indications of anatomical partitions.