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archives

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David Smith
David Smith, Cubi XXII, 1964 (installation view, 1998)

David Smith
David Smith, Cubi XXVII, 1965 (installation view, 1998)

David Smith
David Smith, Portrait of a Painter, 1954 (installation view, 1998)

David Smith
David Smith, Voltri XVI, 1962 (installation view, 1998)

David Smith, <em>The Woman Bandit,</em> 1956-58 (installation view, 1998)

David Smith
David Smith, The Woman Bandit, 1956-58 (installation view, 1998)

Richard Serra
Richard Serra, Schunnemunk Fork, 1990-91 (installation view, 1991)

Nam June Paik, <em>Waiting for UFO</em>, 1992 (installation view, 1994)

Nam June Paik
Nam June Paik, Waiting for UFO, 1992 (installation view, 1994)

Nam June Paik, <em>Waiting for UFO</em>, 1992 (installation view, 1994)

Nam June Paik
Nam June Paik, Waiting for UFO, 1992 (installation view, 1994)

Alexander Liberman, <em>Adonai</em>, 1970–71 (refabricated 2000), (installation view, 1997)

Alexander Liberman
Alexander Liberman, Adonai, 1970–71 (refabricated 2000), (installation view, 1997)

Andy Goldsworthy Letter to David Collens, July 3, 1995

Andy Goldsworthy
Andy Goldsworthy Letter to David Collens, July 3, 1995

Andy Goldsworthy, <em>Storm King Wall</em>, 1998 (installation view, 1998)

Andy Goldsworthy
Andy Goldsworthy, Storm King Wall, 1998 (installation view, 1998)

Andy Goldsworthy, <em>Storm King Wall</em>, 1997-98 (installation view, 1997)

Andy Goldsworthy
Andy Goldsworthy, Storm King Wall, 1997-98 (installation view, 1997)

Andy Goldsworthy, <em>Storm King Wall, </em>1997-98 (installation view, 1998)

Andy Goldsworthy
Andy Goldsworthy, Storm King Wall, 1997-98 (installation view, 1998)

Andy Goldsworthy, <em>Storm King Wall, </em>1997-98 (installation view, 1998)

Andy Goldsworthy
Andy Goldsworthy, Storm King Wall, 1997-98 (installation view, 1998)

Mark di Suvero
Mark di Suvero with his dog Shovel, 1992

Mark di Suvero's studio in Petaluma, CA, 1994

Mark di Suvero
Mark di Suvero's studio in Petaluma, CA, 1994

Louise Bourgeois, <i>Number Seventy-Two (The No March)</i>, 1972

Louise Bourgeois
Louise Bourgeois, Number Seventy-Two (The No March), 1972

Siah Armajani<i>,<i> Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini</i>, </i>1992 (site preparation, 1992)

Siah Armajani
Siah Armajani, Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini, 1992 (site preparation, 1992)

Siah Armajani,<i><i> Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini</i>, </i>1992 (site preparation, 1992)

Siah Armajani
Siah Armajani, Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini, 1992 (site preparation, 1992)

Siah Armajani,<i><i><i> Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini</i>, </i></i>1992 (site preparation, 1992)

Siah Armajani
Siah Armajani, Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini, 1992 (site preparation, 1992)

Magdalena Abakanowicz, <em>Sarcophagi in Glass Houses</em>, 1989 (installation view, 1994)

Magdalena Abakanowicz
Magdalena Abakanowicz, Sarcophagi in Glass Houses, 1989 (installation view, 1994)

Magdalena Abakanowicz, <em>Sarcophagi in Glass Houses</em>, 1989 (installation view with Bill Rutherford, 1994)

Magdalena Abakanowicz
Magdalena Abakanowicz, Sarcophagi in Glass Houses, 1989 (installation view with Bill Rutherford, 1994)

Magdalena Abakanowicz, <em>Sarcophagi in Glass Houses</em>, 1989 (greenhouse installation view, 1994)

Magdalena Abakanowicz
Magdalena Abakanowicz, Sarcophagi in Glass Houses, 1989 (greenhouse installation view, 1994)

Magdalena Abakanowicz, <em>Sarcophagi in Glass Houses</em>, 1989 ( installation view, 1994)

Magdalena Abakanowicz
Magdalena Abakanowicz, Sarcophagi in Glass Houses, 1989 ( installation view, 1994)

Alice Aycock, <i>Fantasy Sculpture I</i> (installation view, 1990)

Alice Aycock, Fantasy Sculpture I (installation view, 1990)

Alice Aycock, <i>The Machine That Makes the World</i>, 1979 (installation view, 1990)

Alice Aycock, The Machine That Makes the World, 1979 (installation view, 1990)

Alice Aycock, <i>The Machine That Makes the World</i>, 1979 (installation view, 1990)

Alice Aycock, The Machine That Makes the World, 1979 (installation view, 1990)

Alice Aycock, <i>The Dice Game: For Diverse Visions</i>, 1986 (installation view, 1990)

Alice Aycock, The Dice Game: For Diverse Visions, 1986 (installation view, 1990)

Alice Aycock, <i>How To Catch and Manufacture Ghosts</i>, 1979 (installation view, 1990)

Alice Aycock, How To Catch and Manufacture Ghosts, 1979 (installation view, 1990)

Alice Aycock, <i>Greased Lightning</i>, 1984 (installation view, 1990)

Alice Aycock, Greased Lightning, 1984 (installation view, 1990)

Alice Aycock, <i>The Garden of Scripts (Villandry)</i>, 1986 (installation view, 1990)

Alice Aycock, The Garden of Scripts (Villandry), 1986 (installation view, 1990)

Alice Aycock, <i>The New and Favorite Game of the Universe and the Golden Goose Egg</i>, 1987 (installation view, 1990)

Alice Aycock, The New and Favorite Game of the Universe and the Golden Goose Egg, 1987 (installation view, 1990)

Complex Visions: Sculpture and Drawings by Alice Aycock, May 21 - October 31, 1990, exhibition catalogue cover

Complex Visions: Sculpture and Drawings by Alice Aycock, May 21 - October 31, 1990, exhibition catalogue cover

Enclosures and Encounters: Architectural Aspects of Recent Sculpture, May 20 - October 31, 1991, catalogue cover

Enclosures and Encounters: Architectural Aspects of Recent Sculpture, May 20 - October 31, 1991, catalogue cover

Ursula von Rydingsvard: Sculpture, May 18 - October 31, 1992, exhibition catalogue cover

Siah Armajani: Recent Work, May 15 - October 31, 1993, catalogue cover

Siah Armajani: Recent Work, May 15 - October 31, 1993, catalogue cover

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